Відео

The same people who call this a work of genius are the same people who poo-poo John Williams for being a "copycat" 🤡

네 대의 피아노, 열세 대의 타악기를 조합. 성공적 !

I still prefer Dufay.

Meget bra konsert 😊

Just remember, Berio knows more than you and is smarter than you. Thus he is more important than you and thus gets to dictate your world to you. AND, as an extra bonus, he is a committed Socialist. What could be more perfect. All music, going forward, MUST be above the listener’s intellectual. Never mind that John Williams fellow.

That's some epic s--- :-0

Съёмка очень крутая! Респект операторам!

4:50, suddenly total beauty, like the sun coming out. unbelievably powerful. Also the bit that Cathy Berberian picked on her desert island discs.

Me diero ganas de aprender a tocar el piano

A bad sound? except the first concert.

Yuja Wang has made Stravinsky's spirit very very happy with this performance...She is truly a genius...also...shout out to the videographer/lighting/ directing of this...all genius!

Extrait de <<Olivier Messiaen, musicien de la gloire divine>> par Pascal Ide : Olivier Messiaen nourrissait aussi une secrète préférence pour le rythme à l’égard de la mélodie et de l’harmonie. Certes, tout musicien est rythmicien. Malheureusement, le terme rythme souffre d’un profond malentendu (c’est le cas de le dire). Pour la plupart des personnes, et des musiciens, qui dit rythme, dit succession ininterrompue de durées égales. L’exemple type en est la musique militaire ou le second mouvement de la Huitième symphonie de Beethoven. En regard écoutons Messiaen ouvrir la conférence prononcée dans le cadre de l’Exposition universelle de Bruxelles, en 1958 : « N’oublions pas que l’élément premier, essentiel de la musique, est le rythme, et que le rythme, c’est d’abord le changement de nombre et de durée ». Ainsi, même le travail contrapuntique d’un Bach est dénué de rythme ; par contre la rythmique mozartienne, sans doute la plus géniale du répertoire classique, présente une succession d’accents, une véritable cinématique, qui en rendent d’ailleurs l’interprétation difficile. Or, quelle est l’origine de la véritable notion de rythme-pulsation qui se refuse à la mortelle égalité ? La nature, en particulier le vent, les torrents ou les vagues de la mer ; et la nature est de Dieu. Messiaen remarque qu’ « une musique rythmique est une musique qui méprise la répétition, la carrure et les divisions égales, qui s’inspire en somme des mouvements de la nature, mouvement de durées libres et inégales [15] ». A l’école des chants d’oiseaux, il a compris la nature du rythme : « ce sont les oiseaux qui m’ont conduit vers les superpositions de tempos. Quand on assiste au réveil des oiseaux, au printemps, vers quatre heures du matin, on entend nos grands solistes, la Grive musicienne, le Loriot, le Rossignol, le Merle noir, et chacun chante dans son propre tempo. D’autres oiseaux, qui ont aussi leur tempo personnel, les accompagnent. Cinquante voix peuvent se superposer dans des tempos différents. Le résultat est un fouillis absolument impénétrable, un prodigieux enchevêtrement, qui reste cependant toujours harmonieux

How can one composer have so much fire and be so good?

i really doubt history will ever forget how brilliant yuja wang is. what a dent to leave on the art.

I'm a 72 yr old who adored the violin concertos when i was young.yehudi menuin i saw in edinburgh festtval. Nigel kennedy has made me feel so wonderful agaiwhat passion

She’s amazing! This is one of my favorite pieces and she nails it!

I listened to this but really did not like it one bit. It was music sadly not for me. Perhaps I am missing something. I usually enjoy classical music. The drone of voices are very annoying also.

７５歳です、初めて聞いたのは17才❤の冬、火燵に入りドテラを着て、「早く寝なさい」の親の声を無視してテレビの画面にかしりついたのをハッキリと体に染み付いたのがこの音でした。 5:52 😂

Who is speaking

Thank you I kind amazingly

Shes

Believe in yourselves fi nLoved here amazing meaning jumping shelter for lots and tons she

Voices

Kindness smiling giving all letters believe know

Rushed to work with kindness to help you

Good luck with life itself

Heard it once. That's enough for me

The cardio on this woman.

Yuja Wang is perhaps the most prominent female pianist in the world today, and her prodigious technique certainly reminds one of the young Argerich. This Stravinsky work was on her debut disc some ten years ago when she first burst onto the scene. At that time, I was already very concerned about a serious lack of musicianship and respect for the music. Whereas nobody can claim to know what a Mozart or Beethoven sonata is all about, it is possible to know what the music means, bar by bar, in Petrushka, because it is a ballet (perhaps the most famous ballet after Tchaikovsky’s) with a vivid storyline. Apart from playing as fast and as dazzling as possible, one cannot sense any storytelling, any scene-setting, or any atmosphere in her playing. This is music to dance to, for humans not robots, so you need some elasticity and breathing space. The dance rhythms of Russian folk music, a hallmark of Stravinsky, were conspicuously absent. At the same time, the audience needs to feel happy, angry and sad along with the storyline. Yuja’s technique certainly impresses, but only in an acrobatic way. Even nowadays, when Ms Wang is ten years older, I still cannot sense any depth in her playing. I worry that in 30 years’ time, when she can no longer wear those dresses and when her fingers go arthritic with all that pounding, she would never go into the hall of fame, although she would still be fabulously rich. It is telling that hardly anyone commented on how haunting and sad the music is. Ivo Pogerlich, who is aging and arthritic, plays this music lugubriously, at half Yuja's speed. Yet, he plumbed the depth of this music like no other.

Fantastique mémoire incroyable !

Undoubtedly one of the most important sacred compositions of our time. And a composer beyond all categorisation and standards.

the debussy climaxed so hard

MTV style editing.

Prom 03 - In memoriam Margaret Fairbairn (d.20/5/07 aged 99), supporter of the Monteverdi Choir and Orchestra 19:00 Sun 15 Jul 2007 Royal Albert Hall Jean‐Philippe Rameau ZaïsOverture DardanusEntrée des Songes Act 4 Proms premiere DardanusTrio des Songes 'Par un sommeil agréable' Act 4 Proms premiere DardanusPrologue: Tambourins 1 & 2 Les fêtes d'HébéChorus 'Suivez les lois' Act 3 Proms premiere Les fêtes d'HébéTambourin en rondeau Les BoréadesEntrée de Polymnie Act 4 Les BoréadesAir de Polymnie 'Commandez aux tendres Zéphirs' Act 4 Les BoréadesGavottes pour les Heures et les Zéphirs Act 4 PlatéeAir pantomime PlatéeRigaudons 1 & 2 PlatéeContredanse en rondeau PlatéeMenuets 1 & 2 PlatéeMusette PlatéeTambourins 1 & 2 Hippolyte et AricieSuite of selected dances Castor et PolluxChorus 'Rentrez dans l'esclavage' Act 3 Castor et PolluxAir des démons Act 3 Castor et PolluxChorus 'Brisons tous nos fers' Act 3 Castor et PolluxAir 'Séjour de l'éternelle paix' Act 4 NaïsChaconne Act 1 Proms premiere Les BoréadesChorus 'Jouïssons de nos beaux ans' Act 3 Les BoréadesGavottes 1 & 2 Act 3 Les BoréadesContredanses 1 & 2 Act 5 Performers Matthew Brook bass Monteverdi Choir Sir John Eliot Gardiner conductor Nicholas Mulroy counter-tenor Anders J. Dahlin counter-tenor English Baroque Soloists Compagnie Roussat-Lubek Julia Doyle soprano Lawrence Wallington bass-baritone Katherine Fuge soprano Rosemary Nalden director Buskaid Soweto String Ensemble Dance For All Marc Molomot counter-tenor

Excelente!

The best violinist and the best violin concierto

Is no one going to mention her LH at 8:06?? 😭😭 (I'm currently struggling on these horrible double-thirds + second voice)

Did you study the music sheet? -No But, can you improvise from the chords? -Sure!

Aynı anda birden fazla saz çalınırken, başka sazın sesini duyan sazendeler, kendi sazlarını icra ederken nasıl şaşırmıyor. Çünkü sesler iç içe ve çok karmaşık. Notaları takip etmeleri de çok zor, diğer sazların seslerini takip etmeleri de...

I was at this show. One of the shortest headline shows I’ve ever seen-at the end, everyone stood around thinking that it was an intermission! We were stupid for being upset about anything, though. What a beautiful gig. Life is brutally short, isn’t it?

WOW, BREATHTAKING….BEAUTIFUL TO WATCH. THANK YOU YUJA.

Hello, could you share the score of the first song with me, please? or advise where I should search for🙏

Marvellous entertainment and such precision and polish

Does anyone know the names of the 4 singers?

For what it's worth, this is the first time I felt moved by a performance of this concerto. For context, my father booked tickets to an upcoming performance of this concerto, and it's not really my style (but there are no other options for the weekend he's visiting), so I've been listening to various artists' take on this emotional piece. I genuinely think this is how this concerto was written and meant to be played. Sublime performance! Bravo!!

unpopular opinion: Messiaen was a sadist

Parfait pour les demeurés

There's a glitch at 3:01

*Yuja Wang Plays Stravinsky* *Igor Stravinsky (1882-1971)* *Three Movements from* _Petrouchka_ *(1921)* *(transcribed for piano solo by the composer)* 00:04 *I. Danse russe* _Russian Dance_ 02:28 *II. Chez Petrouchka* _Petrouchka's Room_ 06:47 *Ill. La semaine grasse* _The Shrovetide Fair_ *Yuja Wang, piano✨* _Verbier Festival_ _Église de Verbier_ _Verbier, Switzerland, August 1, 2009_ 🪆🪆

Rameau is fantastic and this work is fascinating what a great performance